Review: Naturalism of ‘LUV’ beset by cliches
By Jake Coyle January 16, 2013 1:53PM
DIRECTOR: Sheldon Candis
STARS: Common, Michael Rainey Jr. and Dennis Haysbert
RATED: R for violence, language, child endangerment and some drug content
RUNNING TIME: 1 hour and 35 minutes
Updated: February 19, 2013 1:57PM
It’s disappointing that “LUV,” a drama about the tragic realities of fathers and sons in unforgiving urban environs, can’t measure up to the lyricism of its star’s own music.
The film stars Common, the thoughtful and charismatic Chicago rhymer who, in 3- and 4-minute hip-hop ruminations, summons more vibrant social imagery than the well-intended but hollow 1 1/2 hours of “LUV.”
Common has been more of a cultural ambassador for years now (he was a bizarrely controversial White House guest in 2011), and has increasingly concentrated on acting.
“LUV,” for which he is also a producer, is perhaps the best close-up yet of an uncommonly smooth performer.
In the movie, the feature film debut of Sheldon Candis who co-wrote it with Justin Wilson, Common plays the former convict Vincent, an uncle to the parentless 11-year-old Woody (Michael Rainey Jr.).
“LUV” takes place over a day in Baltimore in which Vincent, driving Woody to school from his grandmother’s, instead detours for a lesson-filled day of bonding.
Vincent pledges that he’ll teach the shy Woody how to “handle your business across the board.”
Dressed handsomely and driving a Mercedes, Vincent appears an upright father-figure, but he’s desperate to put to work a business plan for which he’s $22,000 short.
Worse, gang warfare is raging and the word on the street is Vincent got out of prison suspiciously early.
It’s a promising enough conceit — a stressed, untrustworthy but inherently decent guy trying to play the role model — but the day takes awkward, implausible turns, jumping from violence to stone skipping in the harbor.
The dialogue, too, is often cringe-worthy as the two meet various friends and associates of Vincent’s, with cameos including Danny Glover, Dennis Haysbert and Michael K. Williams.
Along the way, Vincent teaches Woody (whom Rainey Jr. plays with poise beyond his years) some tenants of manhood: how to properly open crabs, how to give a strong handshake, how to drive a car, how to shoot a gun.
Though lacking some dynamism, Common has the gravity to keep the film grounded.
The film, wearing its inspirations on its sleeve, is a kind of “Training Day” hoping for interstitial Terrence Malick poetry in the Baltimore landscape of TV show “The Wire” with the occasional sensationalism of an action film.
The cliches mount as the journey leads to bloody standoffs and drug dealer confrontations.
Surely there is plenty here to scar a child, though there’s little that suggests any trauma for Woody.
Still, there is tenderness in “LUV.”
One suspects Candis can mature as a naturalistic director if he follows the tagline of his film: “Follow your hero, or become your own man.”
After all, we are not exactly showered with intimate, aspiring films of urban life.