You feel worse about ripping some films than others. If it’s exploitative dreck or cynical torture porn or a brainless sequel, you just fire away, grateful for the opportunity to vent and to warn movie-lovers to stay away. This is not the case with “Son …
RICHARD ROEPER: In this sort-of sequel, the performances are uniformly good, especially Eva Green as a complex, colorful villain.
“Sex and the City” star comes to Chicago to tout her footwear partnership with the CEO of Manolo Blahnik.
The trophy for Steve McQueen’s brutal, unshrinking historical drama “12 Years a Slave” marks the first best picture Oscar-winning film directed by a black filmmaker.
RICHARD ROEPER: Liam the Great continues his late, middle-age run as the baddest action hero on the plane as a federal air marshal trying to prevent midflight murders.
BILL ZWECKER: The fun-packed film promises a great time both for kids and the adults taking them to see it.
Here is a look at some crowd pleasers. Suggestions include the ticket on-sale for Linkin Park’s August concert at First Midwest Bank Amphitheatre in Tinley Park.
RICHARD ROEPER: Director and star George Clooney turns the story of curators recovering stolen art from the Nazis into an “Ocean’s Eleven”-style caper.
RICHARD ROEPER: The update’s steely exterior is tarnished by a wooden leading man and a weak point of view.
RICHARD ROEPER: Kevin Hart, Michael Ealy, Regina Hall and Joy Bryant are easy to like in a remake that nicely captures the rhythms of a relationship.
Sarah Morris, known for her cinematic studies of cities including Miami and Beijing, depicts Chicago with images of systems, signs and surfaces.
RICHARD ROEPER: A beloved book and a skilled cast led by Colin Farrell can’t stop the tide of the overwhelmingly cheesy story.
Most of the nine nominees for Best Picture don’t stand a chance, and the movie likely to win has been the favorite for a while
RICHARD ROEPER: The often implausible tale of a depressed single mom (Kate Winslet) falling for a man on the lam (Josh Brolin) is executed with edgy skill.
No bolts on the “reanimated” beast in “I, Frankenstein” — just self-doubt.
Sometimes we criticize actors for playing the same type of character in movie after movie, and sometimes we criticize actors for trying to branch out instead of giving fans what they want.
We’re the worst.
Nearly every story I’ve seen about Vanessa Hudgens’ role in …